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Quentin Tarantino recently opened up about his own filmography, sharing which projects he considers his most significant

Phil Campbell, Motörhead Guitarist, Dead at 64

Dolly Parton Was ‘Worn Down and Worn Out’ After Health Issues and Her Husband’s Death: ‘I Needed to Build Myself Back Up’

Richard Grenell to Step Down as Kennedy Center President Amid Institutional Turmoil

Doja Cat Defends Chappell Roan for Being ‘Uncomfortable, Comfortably’ in Dealing With Paparazzi: ‘Let Her Have an Attitude’

Quentin Tarantino recently opened up about his own filmography, sharing which projects he considers his most significant

On "The Church of Tarantino" podcast, the filmmaker ranked his work, naming "Once Upon a Time in Hollywood" as his personal favorite and "Inglourious Basterds" as his crowning achievement. But he reserved special praise for "Kill Bill," describing it as the one film only he could have made—a project that felt uniquely his from start to finish. Artists often reassess their creations as time passes, and Tarantino’s candid thoughts provide a window into his artistic priorities. It’s not uncommon for creators to see their work differently than audiences or critics do, and his perspective adds depth to how we understand his filmography. When it comes to writing, Tarantino highlighted "Inglourious Basterds" as his top screenplay, followed closely by "The Hateful Eight" and "Once Upon a Time in Hollywood." He noted that "The Hateful Eight" might represent his strongest directing effort in terms of translating a polished script to the screen, since the groundwork was already laid—unlike "Kill Bill," which required more foundational creativity. Despite his clear affection for "Once Upon a Time in Hollywood," Tarantino has opted not to direct its planned follow-up, "The Adventures of Cliff Booth." That project will now be helmed by David Fincher for Netflix. Tarantino explained that ending his career with a sequel didn’t align with his vision for a final film—he wants something entirely new, not a revisit to familiar ground. He also discussed abandoning "The Movie Critic," a project he set aside because it felt too similar in tone and setting to "Once Upon a Time in Hollywood." Having already explored a period piece with minimal CGI, doing it again lacked the creative spark he seeks. For his last movie, Tarantino is focused on breaking new ground and closing his directing journey on an unexpected note.

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