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Laufey recently appeared at the Grammy Museum, sharing insights into her musical path and delivering a live performance that highlighted her formal training and genre-spanning approach

As an artist rooted in classical music who has found success in pop, she embodies the kind of adaptable talent the Grammys often celebrate. Her rise to prominence started just two years ago with the album "Bewitched," yet she already carries a sense of lasting presence. This event marked a return to the Grammy Museum, taking place on the rooftop in downtown Los Angeles, which provided a somewhat expanded space. Three hundred devoted fans, who snapped up tickets quickly at a higher price, enjoyed an up-close evening with Laufey before her arena tour kicks off this fall. The conversation was led by Peter Asher, a well-regarded producer and former member of the 1960s duo Peter and Gordon. Laufey, a Berklee College of Music graduate, spoke about her intention to launch a foundation supporting music students. Asher emphasized the value of music education, noting that his own mother had taught in England. He shared the interesting detail that one of her former students was George Martin, long before Asher had any connection to the Beatles. Laufey joked that without Asher’s mother, the Beatles might never have been—though Asher modestly disagreed, suggesting Martin’s oboe lessons probably weren’t that decisive. This led to a spontaneous, engaging chat about the oboe’s role in orchestral music. It’s fascinating how chance encounters and guidance can steer an artist’s development in unforeseen directions. The balance between honoring tradition and embracing new ideas often drives musical progress, and Laufey’s experience shows that inspiration can emerge from varied places. With her third album, "A Matter of Time," timed for Grammy eligibility, Laufey is well-placed to be a strong contender again. After winning best traditional pop album for "Bewitched," she may now compete in broader categories. She sees herself as a blend of influences: part jazz singer, part classical cellist, and part pop artist. When Asher mentioned her appreciation for Taylor Swift, Laufey agreed warmly, recalling how she grew up equally drawn to jazz, classical, and Swift’s songs. She reflected on her earlier stance as a classical purist, recognizing that such views often stem from a desire to safeguard what one holds dear. Her rebellion in a musical family took a distinctive turn: she chose the cello thinking her violinist mother wouldn’t be able to coach her, but her mom did anyway, creating some playful friction. Defying expectations, Laufey’s mother always believed she would become a pop star and encouraged her to take risks, not just in music but in social settings and other areas during high school. Support also came from Berklee professor Mike Block, who showed how the cello could be played in innovative ways, like singing while performing. This opened new creative possibilities, though Laufey admitted her classical background made her hesitant at first. She had to learn to move beyond seeking approval and embrace breaking rules to shape her unique sound. Now, she views moments of self-doubt as signs she’s moving in the right direction. Even as much of the discussion centered on cello experimentation, Laufey’s live set featured her on grand piano and electric guitar. She performed several songs from the new album, including one that hasn’t been released yet. She addressed leaks lightheartedly, confirming that only about half were her doing, while Asher mentioned he had just received his copy recently. The evening blended personal stories, musical reflections, and live performance, offering a glimpse into Laufey’s artistic evolution and her dedication to transcending musical boundaries.

Category:SHOW BIZ NEWS

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