‘The Masked Singer’ Reveals the Identity of Queen Corgi After She Prematurely Quits: Here Is the Celebrity Under the Costume
Show more
Ice-T Changed ‘Cop Killer’ Lyrics to ‘ICE Killer’ Because America Is ‘Headed to Some Really Ugly Terrain’: ‘I’m Just Protesting’
Show more
Kid Rock Slams Ticketing Industry for Unfair Practices During Senate Testimony: It’s ‘Full of Greedy Snakes and Scoundrels’
Show more
Ticketmaster Will Resell Canceled Ariana Grande Tickets From ‘Violating’ Sellers to Fans
Show more

Taylor Swift’s ‘The Fate of Ophelia’ Becomes Her Longest-Running No. 1 on Singles Chart

Taylor Swift has opened the year by setting a fresh career benchmark on the Billboard Hot 100. Her single "The Fate of Ophelia" has returned to the summit for a ninth non-consecutive week, eclipsing the eight-week reign of her 2022 hit "Anti-Hero." This achievement establishes the track as her most enduring number-one among her 13 chart-topping singles—a prolific run that started with her 2006 self-titled debut and has helped make her one of the best-selling musicians in history.

The song's resurgence is particularly noteworthy after it fell to No. 28 during the recent holiday music surge. Such resilient chart behavior typifies Swift's career; past smashes like "Blank Space" led for seven weeks, while "Cruel Summer" and "Shake It Off" also enjoyed extended stays. With her 13 Hot 100 number-ones, Swift now shares fourth place for the most chart-toppers in the history of the ranking. Industry observers frequently credit her strategic album campaigns and deep fan connection for this durability. "Swift's model of cyclical engagement and narrative-driven releases has rewritten the rulebook for longevity in a streaming-dominated industry," states music economist David Chen. "She maintains a cultural conversation that few artists can sustain beyond a single album cycle."

Elsewhere in the chart's upper reaches, significant movement is evident. Huntr/x's "Golden" rebounds to No. 2, followed by Alex Warren's "Ordinary" at No. 3 and Olivia Dean's "Man I Need" at No. 4. The week's most dramatic climb belongs to Ella Langley, whose track "Choosin' Texas" soars from No. 48 to No. 5, granting the country artist her first top 10 entry. Jumps of this magnitude typically signal potent viral traction on platforms like TikTok or major support from streaming service playlists, positioning Langley as a compelling new voice to watch.

Completing the top ten are Kehlani's "Folded" at No. 6, Sombr's "Back to Friends" at No. 7, another Swift entry "Opalite" at No. 8, Leon Thomas's "Mutt" at No. 9, and Justin Bieber's "Daisies" holding at No. 10. This eclectic lineup highlights a contemporary pop landscape where legacy acts and emerging talents chart side-by-side.

On the album chart, Swift's dominance continues unabated. "The Life of a Showgirl" secures a 12th week at No. 1 on the Billboard 200, showcasing remarkable stamina in an era of rapid consumption. This performance aligns with a modern industry pattern where blockbuster releases, supported by fervent fan communities and staggered content drops, resist the typical sharp decline in weekly units. The album is trailed by a varied set of titles: Morgan Wallen's "I'm the Problem," the "KPop Demon Hunters" soundtrack, and Olivia Dean's "The Art of Loving." Also in the top ten are Sabrina Carpenter's "Man's Best Friend," the collaborative "Dinastía" from Peso Pluma and Tito Double P, SZA's long-running "SOS," Tate McRae's "So Close to What," Wallen's earlier record-shattering release "One Thing at a Time," and Carpenter's "Short N' Sweet."

Category:SHOW BIZ NEWS
 
CALL ME BACK