CHALLENGING TASKS INSPIRE US
Subscribe to the MSG newsletter to be the first to receive interesting news
Subscribe to our newsletter to get the latest news and updates.
‘Disclosure Day’: John Williams Recorded Two Hours of Music Over a Six Month Period for his 30th Collaboration with Steven Spielberg (Exclusive)
Show more Bruce Springsteen Apologizes for Refusing to Allow His Song in Bono’s Gap Commercial, Tells U2 Frontman: ‘I Should Have F—ing Done It!’
Show moreCher Causes Confusion at Grammys by Announcing ‘Luther Vandross’ as Winner of Kendrick Lamar and SZA’s Record of the Year
In a charmingly unscripted moment during the Grammy Awards, presenter Cher created a brief stir while revealing the Record of the Year winner. After a momentary, confused pause, she laughed and explained to the audience, "Oh! They told me it was going to be on the prompter." Reading directly from the winner's envelope, she first announced, "The Grammy goes to Luther Vandross," before quickly correcting herself to properly honor the actual recipients: Kendrick Lamar and SZA for their collaboration "Luther." Such genuine slip-ups are a celebrated feature of live broadcasts, cutting through the rehearsed polish to highlight the unpredictable nature of the event.
The victorious track, "Luther," is the third single from Lamar's critically acclaimed album 'GNX'. The song's foundation is a direct sample from the 1977 duet cover of "If This World Were Mine," performed by the legendary Luther Vandross and singer Cheryl Lynn; the original composition was penned by soul icon Marvin Gaye. Vandross, an R&B titan known for classics like "Never Too Much" and his poignant final hit "Dance with My Father," passed away in 2005. The artists took Cher's flub in stride, with Lamar seen smiling as his collaborator SZA—whose 2022 album 'SOS' dominated the Billboard 200 chart for ten consecutive weeks—stepped forward to accept the award.
In their acceptance, the winners immediately paid tribute to the musical heritage their work references. Producer Sounwave initiated the homage by stating, "First and foremost, let’s give a shout out to the late, great Luther Vandross." Lamar elaborated, calling Vandross a personal favorite and revealing the emotional weight of securing the sample clearance. "When we got that clearance, I promise you, we damn near all dropped a tear," he shared, underscoring the significance of building their modern creation upon such a storied piece of music history. This process of licensing, often involving complex negotiations with estates, is a crucial and sometimes fraught step in hip-hop and contemporary production.
Lamar further disclosed a specific condition set by Cheryl Lynn and the Vandross estate for granting permission: a ban on profanity in the new recording. "They said 'no cursing' though... And we said, you know what? We are going to do just that," he explained, highlighting their dedication to crafting a song that purely "represents love." He concluded his tribute with, "Luther forever." This stipulation illustrates how such creative constraints can actively shape a song's final message and tone, forcing artists to innovate within set boundaries—a dynamic that many producers argue can lead to more focused and inventive work.
Host Trevor Noah, adeptly steering the ceremony forward, embraced the spontaneous humor. "I love live television," he remarked, capturing the evening's charmingly imperfect spirit. These fleeting incidents offer more than just light relief; they frequently unveil the deep layers of respect and historical continuity that fuel the music industry's grandest celebrations, anchoring the spectacle in authentic human connection and reverence for artistic legacy.
Category:SHOW BIZ NEWS