Journey’s Jonathan Cain Lays Into ‘Annoying, Bitter Old Man’ Bruce Springsteen: ‘Shut Up, Bruce… You Were Born in the USA, So Act Like It’
Show more
Variety’s Faith & Media Impact Report 2026: Nominations Are Open
Show more
Future Debuts at No. 1 With ‘The Real Me,’ as Rolling Stones and ‘Heated Rivalry’ Soundtrack Also Bow in Top 10
Show more

Ella Langley’s ‘Choosin’ Texas’ Ties Whitney Houston and Mariah Carey’s Records on Billboard Hot 100

Ella Langley has secured her place in music history as "Choosin’ Texas" notches its 14th consecutive week at No. 1 on the Billboard Hot 100. This achievement ties the record for the longest reign by a female solo artist without any male-billed collaborators, excluding holiday songs—a mark previously held by Whitney Houston’s "I Will Always Love You" and Mariah Carey’s "We Belong Together." Carey’s seasonal hit "All I Want for Christmas Is You," which has amassed 22 weeks at the top over seven years, is not counted in this category because it is considered a holiday track rather than a standard pop release. The sustained success of "Choosin’ Texas" underscores a growing appetite for country-pop crossovers, a trend that industry observers say has been gaining momentum since the late 2010s. Dr. Karen Mills, a music chart historian at the University of Southern California, noted: "Langley’s dominance reflects a shift in how streaming platforms amplify country artists, allowing them to reach audiences well beyond traditional radio markets." This milestone highlights the evolving dynamics of the music industry, where digital consumption has blurred genre boundaries.

Langley, who was named the Academy of Country Music’s Female Artist of the Year in May, has surpassed several iconic songs on her way to this milestone. She overtook Brandy & Monica’s "The Boy Is Mine," which held the No. 1 spot for 13 weeks, as well as Destiny’s Child’s "Independent Women Part I" and Toni Braxton’s "Un-Break My Heart," both of which reigned for 11 weeks. For the tracking week of July 10-16, "Choosin’ Texas" generated 24 million official streams, a 4% decline from the previous week, while attracting 51 million radio airplay audience impressions, a 1% increase. The song also sold 7,000 digital copies in the United States. Langley, a Nashville native who rose to prominence through her 2022 debut EP, has been praised for blending traditional country storytelling with pop sensibilities. Her ability to maintain radio airplay while sustaining streaming numbers reflects a dual strategy that has become crucial for modern artists. This achievement is particularly notable given the competitive landscape, where many country acts struggle to cross over to mainstream pop charts.

Elsewhere on the charts, rising country artist Stella Lefty achieved her first Hot 100 top 10 entry, with "Boston" climbing to No. 6. The song, which explores themes of longing and escape, has resonated strongly with listeners, marking a breakthrough for the Nashville newcomer. Lefty, who released her debut EP in 2022, has gained traction through viral TikTok performances, a strategy that helped "Boston" gain momentum. Meanwhile, British singer Olivia Dean topped the Radio Songs chart with "So Easy (To Fall in Love)," which rose from No. 12 to No. 9 on the Hot 100. This track surpasses her previous hit "Man I Need," which slipped from No. 5 to No. 10. Dean, a London-born artist known for her soulful blend of pop and R&B, has drawn comparisons to Adele for her emotive vocals. Both songs have peaked at No. 5 on the Hot 100 and have spent 41 and 46 weeks on the chart, respectively. Dean’s sustained chart presence signals a potential long-term career trajectory, similar to other British breakout stars like Dua Lipa and Sam Smith, who have successfully crossed over to U.S. audiences. Her ability to maintain multiple hits on the charts simultaneously suggests a deepening fan base and strong radio support.

Category:SHOW BIZ NEWS
 
CALL ME BACK