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Show moreMiley Cyrus Announces New Album ‘Bass Persuades,’ Sets Two Shows for Hollywood Bowl
In tandem with the album, Cyrus has unveiled plans for a highly anticipated return to live performance, locking in two exclusive dates at the iconic Hollywood Bowl in Los Angeles on October 16 and 18. The shows, hinted at through her social media, appear to feature a full run-through of "Bass Persuades," with indie rock act Model/Actriz serving as the opening support. The Hollywood Bowl—a legendary open-air amphitheater that has welcomed luminaries ranging from The Beatles to Beyoncé—holds particular significance for the singer. "It's been a while," she noted. "The Hollywood Bowl is my favorite place to experience music and see my favorite artists. I've sat in those seats many times, but I've never taken the stage. LA is my heart and I'm bringing it home. See you there. ❤️ Miley." This marks a notable milestone, as Cyrus has steered clear of extensive touring in recent years, making these performances exceptionally sought-after for her fanbase.
Ticket availability will unfold in a staggered sequence. An American Express presale commences on September 8 at 10 a.m. PT, followed by a fan presale through Cyrus's official channels on September 9 at the same hour. A distinctive "Introducing Reserved" tier via Spotify will additionally set aside a portion of tickets for the platform's most engaged listeners ahead of the general public. The broader on-sale date lands on September 10 at 10 a.m. PT. To amplify anticipation, Cyrus generated buzz over the weekend by securing a full wrap-around cover of the Los Angeles Times featuring her visage and first name, while simultaneously refreshing her website with the same bold imagery. Notably, she has streamlined her stage identity to simply "Miley," dropping her surname for this new era—a shift confirmed in the album's official promotional materials.
This project also signals a pivotal label transition, as Cyrus has aligned with Atlantic Records following two releases under Columbia, including "Endless Summer Vacation," which yielded her Grammy-winning hit "Flowers." The change underscores her ongoing artistic reinvention, a subject she delved into during a recent dialogue with actor Darryl Hannah for Wonderland magazine. "For me, a song isn't just chords, melody, and lyrics. It's a feeling," Cyrus explained. "It's not right or wrong like an answer. It's alive. It almost becomes its own little entity that tells you what it needs if you're listening." She further stressed the value of collaborative chemistry, adding, "I love making records with people who aren't precious about ideas. Everyone is there because they're excited by the same thing. There's no ego in the room when it's working. Just curiosity." The label switch, paired with her pared-back branding, points to a deliberate recalibration of her public persona as she steps into this next phase.
Expanding on her artistic ethos, Cyrus offered a glimpse into the near-mystical character of her songwriting practice. "I love feeling aligned with my purpose, my power, and my gifts. I feel closest to something bigger than myself when records flow through me," she shared. "It's almost impossible to describe. It's like waking up from a dream you can still feel in your body even though you can't fully explain it logically. Songwriting feels like crossing over to another side sometimes. A new song can feel like I've already heard it before. Even if it isn't finished yet, I somehow know exactly what it is, almost like I'm remembering it instead of creating it. That's the mystery I love." Industry observers note that this introspective approach mirrors a broader trend among established pop artists toward more autobiographical work, a shift that has resonated strongly with audiences seeking authenticity. With "Bass Persuades" set to channel this reflective and deeply personal methodology, Cyrus appears primed to forge a profound connection with her listeners—both through the album itself and her long-awaited return to the stage after an extended absence.
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